Eternal Moment
A short documentary directed and produced by Simone Stammbach in 1998 It shows the early days of Clarina Bezzola's life as an artist and her approach to her work. Camera Conny Kipfer, Music Annetta Debrunner,
THE SECRET OF THE VOICE
View worn on the body,
A collar with bars forged of sterling silver enveloping the neck tightly. Through the bars one can see a little suspended cabin which can move around the neck along a track. A glowing red gemstone peeks through the barred window.
I only realized twenty years after creating this piece, what it really speaks about.The Secret of the Voice tells the story of the struggle everyone battles with to find one’s own true voice – a process everyone has to go through in order to find their true purpose in life. Until then we carry the gemstone locked away in a hidden chamber in our throat.
Materials: Sterling silver, gem stone, rubber. 1994,
10 x 10 x 2.5″
World
Steel box with glass window harboring a shy furry one eyed creature. 6 x 6 x 3” 1998
Jakob von Gunten
View closed.
This piece is inspired by the Swiss author Robert Walser’s book Jakob von Gunten. It describes a person who doesn’t trust his own instincts and thus surrenders all control over his life to an institution. The institution is a school for becoming lowly submissive servants, one learns to remain a small individual.
Jakob von Gunten was one of Franz Kafka’s favorite books. It certainly is mine too!
Materials: Steel, latex glass, 1996,
6 x 7 x 4″
Jakob von Gunten
View door open.
This piece is inspired by the Swiss author Robert Walser’s book Jakob von Gunten. It describes a person who doesn’t trust his own instincts and thus surrenders all control over his life to an institution. The institution is a school for becoming lowly submissive servants, one learns to remain a small individual.
Jakob von Gunten was one of Franz Kafka’s favorite books. It certainly is mine too!
Materials: Steel, latex glass, 1996,
6 x 7 x 4″
Jakob von Gunten
View close up figure down.
This piece is inspired by the Swiss author Robert Walser’s book Jakob von Gunten. It describes a person who doesn’t trust his own instincts and thus surrenders all control over his life to an institution. The institution is a school for becoming lowly submissive servants, one learns to remain a small individual.
Jakob von Gunten was one of Franz Kafka’s favorite books. It certainly is mine too!
Materials: Steel, latex glass, 1996,
6 x 7 x 4″
Jakob von Gunten
View Close up Figure up.
This piece is inspired by the Swiss author Robert Walser’s book Jakob von Gunten. It describes a person who doesn’t trust his own instincts and thus surrenders all control over his life to an institution. The institution is a school for becoming lowly submissive servants, one learns to remain a small individual.
Jakob von Gunten was one of Franz Kafka’s favorite books. It certainly is mine too!
Materials: Steel, latex glass, 1996,
6 x 7 x 4″
Study Chamber
View closed.
A helmet built to shut out the world during a process of intense study and development for an ignorant and therefore weak individual. This helmet features impenetrable steel walls thickly padded with wool. Instead of an opening, there is small room attached to it’s face, like a stage to display any object for study.
Materials: Steel, Wool, Filling 1995,
14 x 13 x 10″
Study Chamber
View open.
A helmet built to shut out the world during a process of intense study and development for an ignorant and therefore weak individual. This helmet features impenetrable steel walls thickly padded with wool. Instead of an opening, there is small room attached to it’s face, like a stage to display any object for study.
Materials: Steel, Wool, Filling 1995,
14 x 13 x 10″
Study Chamber
View close up into study space.
A helmet built to shut out the world during a process of intense study and development for an ignorant and therefore weak individual. This helmet features impenetrable steel walls thickly padded with wool. Instead of an opening, there is small room attached to it’s face, like a stage to display any object for study.
Materials: Steel, Wool, Filling 1995,
14 x 13 x 10″
Study Chamber
View view open from other side.
A helmet built to shut out the world during a process of intense study and development for an ignorant and therefore weak individual. This helmet features impenetrable steel walls thickly padded with wool. Instead of an opening, there is small room attached to it’s face, like a stage to display any object for study.
Materials: Steel, Wool, Filling 1995,
14 x 13 x 10″
Apparatus
This sculpture is inspired by Franz Kafka’s novel The Castle which describes the hopeless attempt of a protagonist in understanding the workings of a mysterious system of authority.
The box which is constructed of lead, the sound-less and toxic metal, houses a complex system of rotating gears made of wool felt.
Materials: Lead, wool felt, plexi glass, steel, motor, light fixture. 1997,
8 x 8 x 7”
Apparatus
Close up view into the inside of wool gear mechanism.
This sculpture is inspired by Franz Kafka’s novel The Castle which describes the hopeless attempt of a protagonist in understanding the workings of a mysterious system of authority.
The box which is constructed of lead, the sound-less and toxic metal, houses a complex system of rotating gears made of wool felt.
Materials: Lead, wool felt, plexi glass, steel, motor, light fixture. 1997,
8 x 8 x 7”
Silence
Wheels which stand for motion are in this case arranged in a fashion which allows the suspended box in its center to only to turn around it’s own axis round and round. While trapped in one spot the box emits a persisting sound of a mechanical respirator. The ear horn insinuating a reaching out is stuffed with wax.
Materials: steel, tape-player, speaker, bee’s wax, 1996
13.5 x13.5 x 10.5”
Silence
Close up view with Ear wax visible
Wheels which stand for motion are in this case arranged in a fashion which allows the suspended box in its center to only to turn around it’s own axis round and round. While trapped in one spot the box emits a persisting sound of a mechanical respirator. The ear horn insinuating a reaching out is stuffed with wax.
Materials: steel, tape-player, speaker, bee’s wax, 1996
13.5 x13.5 x 10.5”
Engaged
I constructed this ball and chain out of 18kt yellow gold which I alloyed myself. The ball holds a glass bubble in shackles which in turn harbors a down feather from my (now) ex husband’s and my blanked from our bed.
The piece shows how trapped we both were. But as we didn’t know of any other possibility we still got married.
I gifted this piece to him as our engagement gift. But in turn I did not want him to buy me an engagement ring, saying that the engagement ring was an invention of Tiffany’s, I’d rather buy myself something.
Engaged
I constructed this ball and chain out of 18kt yellow gold which I alloyed myself. The ball holds a glass bubble in shackles which in turn harbors a down feather from my (now) ex husband’s and my blanked from our bed.
The piece shows how trapped we both were. But as we didn’t know of any other possibility we still got married.
I gifted this piece to him as our engagement gift. But in turn I did not want him to buy me an engagement ring, saying that the engagement ring was an invention of Tiffany’s, I’d rather buy myself something.